Description

Every part of the white stone statue of Versailles is consistent with the whole. The French usually regard Versailles as classical, while others regard it as an extremely baroque building whose rhythm changes are extremely modern and inclusive. The landscape arrangement of the white stone statue of the Palace of Versailles is also ingenious. Its establishment had a huge artistic and psychological impact on the rest of Europe. In France in the late Renaissance, a unique French Louis XIV style white stone statue was formed. Although this style is in the same period as the Baroque style, it is often classified as the Baroque style, but it is relatively different from the complex and exaggerated style. The Baroque designs of Italy, Austria and Germany, Louis XIV style are more logical and orderly, the white stone statue is less pretentious and flashy, and is closer to the delicate Rococo style design.

This buoyant dominance of the king’s early years gave way to the Apollonian theme, the White stone statue, which was dear to Louis XIV. Apollo, the sun god, who had his interests spread over the whole earth, the guarantor of the world order, would therefore appear at various times of his life with all his vengeance or beneficial power. The Garden White Stone Statue now shows god in various states, from fountains to groves, with unlimited power, like Louis XIV’s motto Nec Pluribus Impar, enough to illuminate other worlds. “The sun is the conflation of the sun and Apollo by Roy and the poet, and there is nothing in this wonderful house that has nothing to do with this divinity”. White Stone statue in the garden featuring Apollo, accompanied by the sun myth developed by Louis XIV at Versailles. These figures, whether isolated, in groups or in groups, white Stone statues were created by the best sculptors as a metaphor for the power, magnanimity and power of Kings.