Famous artwork Roman Neptune and Triton marble sculpture

Famous artwork Roman Neptune and Triton marble sculpture

NO.: AKCC-145

Size: Lifesize / Custom Made Size

Material: Natural Marble / Stone / Granite

Surface: Carved

Package: Wooden Batten box

Suitable: Amusement park, Theme park, Garden, Restaurant, Playground, Public Area, Garden, Indoor & Outdoor, etc

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Description

This famous Neptune and Triton marble sculpture is based on the god of the sea in Greek mythology. Neptune in Neptune and Triton marble sculpture is sculpted as a muscular figure. Has a mature beard. is the authority of men. He twists his torso as he prepares to push his trident down towards the water, Neptune is draped in a cape, Neptune and Triton marble sculpture’s tousled hair and beard allude to the storm in this scene. His son was under Neptune’s body. is blowing his conch. This one is also designed to be used as a fountain, where the conch snails spew out gushing water. In Neptune and Triton marble sculpture, Nepton’s son blows a shell as a horn. Announcing the coming of the Lord of Earth and Sea, he grabbed Nepton’s legs and placed his shoulders between Neptune’s thighs.

The naturalism of the characters suggests that the artist’s intention was to evoke an immediate emotional response from the audience. Neptune and Triton marble sculpture Neptune’s frowning brows give a sense of his ferocious power. His stance is immutable, solidifying his divine power. By contrast, Triton was somewhat submissive when he grabbed Neptune’s thigh. There was anxiety on his face, as if he knew that whatever Neptune ordered him to do, he should obey. His timid nature and Neptune’s dominant presence demonstrate the authenticity of human emotion and bring back the point of Bernini’s plan to convey the myth. Bernini’s Neptune and Triton marble sculpture figures are always in intense motion. The marble seems to have lost its weight in his hands, and the characters’ clothes are always fluttering in the wind. Neptune and Triton marble sculpture gives people a light, lively and restless feeling. Bernini’s depiction of the human body is no less than that of Michelangelo, and he is better at expressing dramatic plots and the human body in intense motion.

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